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According to Seidemann: 'It was Eric who elected to not print the name of the band on the cover. The image, which Seidemann titled 'Blind Faith', became the inspiration for the name of the band itself, which had been unnamed when the artwork was commissioned. 'My sister said, 'They’ll give you a young horse. Goschen recalled that she was coerced into posing for the picture. Instead, the model he used was her younger sister, Mariora Goschen, who was reported to be 11 years old. He eventually met her parents, but she proved to be too old for the effect he wanted. Seidemann wrote that he approached a girl, reported to be 14 years old, on the London Underground, asking her to model for the cover. That temporal point, that singular flare of radiant innocence. The beginning of the transition from girl to woman, that is what I was after. If she were too old it would be cheesecake, too young and it would be nothing. The spaceship could be made by Mick Milligan, a jeweller at the Royal College of Art. The spaceship would be the fruit of the tree of knowledge and the girl, the fruit of the tree of life. To carry this new spore into the universe, innocence would be the ideal bearer, a young girl, a girl as young as Shakespeare's Juliet. To symbolize the achievement of human creativity and its expression through technology a spaceship was the material object. I could not get my hands on the image until out of the mist a concept began to emerge. In the mid-1990s, in an advertising circular intended to help sell lithographic reprints of the famous album cover, he explained his thinking behind the image. The cover art was created by Seidemann, a friend and former flatmate of Clapton, who is primarily known for his photos of Janis Joplin and the Grateful Dead. The American record company issued the album with an alternative cover, with a photograph of the band on the front, as well as the original cover.

The cover was considered controversial, with some seeing the model airplane as potentially phallic. The cover was a photo by Bob Seidemann of a topless 11-year-old girl, Mariora Goschen, holding a silver-painted model of an aircraft, sculpted for the album shoot by Mick Milligan. Nevertheless the band was able to produce two hits, Winwood's 'Can't Find My Way Home' and Clapton's 'Presence of the Lord'. Although a chart topper, the LP was recorded hurriedly and side two consisted of just two songs, one of them a 15-minute jam entitled 'Do What You Like'. The recording of their album was interrupted by a tour of Scandinavia, then a US tour from 11 July (Newport) to 24 August (Hawaii), supported by Free, Taste and Delaney & Bonnie and Friends. They began to work out songs early in 1969, and in February and March the group was in London at Morgan Studios, preparing for the beginnings of basic tracks for their album, although the first few almost-finished songs didn't show up until they were at Olympic Studios in April and May under the direction of producer Jimmy Miller. The band contained two-thirds of the popular power trio Cream, in Ginger Baker and Eric Clapton, working in collaboration with British star Steve Winwood of the Spencer Davis Group and Traffic, along with Ric Grech of Family.

Album cover finder girl sitting on kneese beach classic